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  • Listen to Lauren on BBC Radio 3 for International Opera Awards In Tune

    February 1, 2018

  • LIMELIGHT – Five Australians nominated for 2018 International Opera Awards

    February 1, 2018

  • International Opera Awards Nomination

    January 29, 2018

  • Listen to Lauren on BBC Radio 3 In Tune

    November 8, 2017

  • Fagan = “particularly magnificent” in Benjamin’s Written on the Skin

    October 24, 2017

    “Lauren Fagan as Agnès was particularly magnificent, embodying the character's melancholy as well as fiery determination.”— Schmopera, full review here.
    photo © Nick Rutter

  • Role Debut as Agnès in George Benjamin’s Written on Skin

    October 24, 2017

    “As for Lauren Fagan, playing the humiliated wife for whom a taste of real love catalyses her one act of defiance, she achieves a small miracle: dispelling memories of how Barbara Hannigan sang and acted in the premiere. Fagan delivers a fiercer, less enigmatic characterization.”— The Times, full review here.
    photo credit © Nick Rutter

  • ★★★★ for George Benjamin’s Written on the Skin

    October 22, 2017

    “Most thrilling of all, Lauren Fagan’s gleaming, intense performance showed what a extraordinary dramatic creation the character of Agnès is, one of the great operatic heroines of the past 100 years.”— The Guardian, full review here.
    photo credit: Nick Rutter

  • ★★★★ from Classical Source

    October 20, 2017

    “Lauren Fagan... revealed Agnès’s erotic awakening with conviction and was even more persuasive in her vindictive rejection of her husband.”— Classical Source, full review here.
    photo © Nick Rutter

  • Lauren Fagan debuts with Orchestra dell’Accademia Nazionale di Santa Cecilia

    September 28, 2017

  • Lauren Fagan joins Paavo Järvi for Don Giovanni in Japan

    September 1, 2017

  • VIDEO: Behind the scenes of Welsh National Opera’s La bohème

    February 1, 2017

  • Fagan as Musetta with the Welsh National Opera

    January 30, 2017

    Lauren Fagan was a brilliantly wild and flighty Musetta, until the final scene where the Carmen-like mask dropped and the softness of the woman beneath was movingly revealed. Her powerful voice, with remarkable control, even at the peak of her range, mellowed beautifully by the end. — Bachtrack, full review here.

  • Royal Opera House: Young Artist Profile

    July 2, 2015

    The Australian soprano, Lauren Fagan, on following in the footsteps of Nina Stemme and Sonya Yoncheva through the Operalia competition, and why opera is...

  • Royal Opera House ringing to the sounds of Australian voices

    June 19, 2004

    Lauren is featured in the Sydney Morning Harold: Sydney soprano Lauren Fagan never expected to win a place in the Royal Opera House’s prestigious...